लेखक- प्रो. अमित कुमार शर्मा, समाजशास्त्र विभाग, जवाहरलाल नेहरू विश्वविद्यालय, नई दिल्ली, रचनाकाल-2016 छोटे बजट बनाम बड़े बजट की फिल्में: भविष्य एवं सामाजिक संदर्भ …
Films
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लेखक- प्रो. अमित कुमार शर्मा, समाजशास्त्र विभाग, जवाहरलाल नेहरू विश्वविद्यालय, नई दिल्ली, रचनाकाल-2016 स्वतंत्र भारत में युवा एवं हिन्दी सिनेमा युवा की परिभाषा और …
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लेखक- प्रो. अमित कुमार शर्मा, समाजशास्त्र विभाग, जवाहरलाल नेहरू विश्वविद्यालय, नई दिल्ली, रचनाकाल- 2016 भारतीय सिनेमा का लोकशास्त्र (1) प्रस्तावना भारतीय हिन्दी सिनेमा को समझने …
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Hindi cinema has also established an intimate relationship with Indian society and politics, but sincere efforts to understand it properly have not been made …
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Indian states and universities have oriented themselves to the West, and have imbibed their culture and its legacy for running their discourse and business, …
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The status of cinema halls in India gradually (from 1913 till today) came at par with Hindu temples. Temples and cinemas are typical Indian …
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All in all, Indian cinema and print media have always had an uneasy relationship right from the beginning. Print technology never received that importance …
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There are four categories of filmmakers in the Indian film industry. The first three categories of filmmakers display some form of ‘Indianness’, which makes …
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(Bhartiya Cinema Ka Lokshastra) The uniqueness of the narrative structures and cinematic visions of Indian Cinema: An indigenous-classical continuum or the dialectical relationship between …
